Morris, whose previous work includes the remarkable The Thin Blue Line and The Fog of War, does not hesitate to provoke.

It's a bracing reminder that good writing and good journalism don't happen naturally; they have to be nurtured.

Timely and oddly inspiring.

Page One doesn't claim answers, but it does shine a new light into an old institution, and it will have people picking up newspapers, at the very least to determine if they're institutions worth fighting for.