A rollicking good time!

An affirmation of lost histories and outcast perspectives that screams with a protean power.

It feels like the sort of film [Akira] Kurosawa would have made had he worked in animation.

This is maybe the finest work Yuasa Masaaki has done in the last decade, and it has so much of animation's ability to produce a cinematic breeze of fresh air. I love it unreservedly and hope to be able to revisit it many, many times.