
Filmed in response to the LAPD’s shooting of Eulia Love in 1979, Gidget Meets Hondo opens with stills taken by Bernard Nicolas of a demonstration against Love’s killing. Nicolas’ Gidget is a self-absorbed young white woman who remains clueless to the violence erupting around her, ultimately to her own peril. The film asks whether such police brutality would be tolerated if the victim were a middle-class white woman.
Budget
Not disclosed
Revenue
Studio
1 review
Title
Gidget Meets Hondo
Released
Oct 10, 1980
Rated
Not rated
Region of Origin
United States of America
Original Audio
English
Runtime
8m
Status
Released
Studio
UCLA School of Film and Television