It's an ironic, tragic take on the old adage about the great woman behind the man.

The director treats the film as an empathy exercise, hoping to complicate and humanise a terrorist. Yet this is undermined by the obvious red flags that she plants in each section.

A lyrical exploration of a woman's emotional endurance.

Portrays a real, profound, and transcendent problem such as religious and political radicalization... not to justify or humanize the terrorist perspective but to show us the complexity of the problem. [Full review in Spanish]