Tsai Ming-liangs largely dialogue-free Days speaks volumes, and Grasshoppers excellent home video release highlights the aesthetic and tonal complexity of its minimalist approach.

There are no subtitles here, but subtitles also feel unnecessary because it's a really immersive experience.

"Days" becomes such a resonant addition to Tsai's exhumed body of work because the filmmaker recognizes and embraces that uncharacteristically sentimental undertow.

There couldn’t be a more poignant climax in such a composed film.