In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.
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The King of Laughter (2021) | Trailer | Mario Martone
Figuring out the exact nature of all their relationships has a certain fascination, but it's not exactly entertaining. The dialogue feels mannered and Scarpetta's actions are so selfish and pompous they become irritating.
L
Lovia Gyarkye
RTThe Hollywood ReporterSep 10, 2021
It's a dazzling and technically brilliant feat, the work of an ambitious, experienced and passionate director.
G
Guy Lodge
RTVarietySep 10, 2021
Commits without compromise to its driving conceit: that Scarpetta's personal life was as wildly expressive and uninhibited as his stage presence, to the extent that they're not all that differently presented on-screen.
A
Alejandro Lingenti
RTLa Nación (Argentina)Dec 27, 2023
Toni Servillo embodies this complex character, deploying a great variety of resources: he is funny, intriguing, seductive, or gloomy as each moment of the story demands. [Full review in Spanish]