The film is certainly different, but it’s also strangely gripping even if not particularly likeable or approachable.

It sometimes gets bogged down in turgid polemic, but what’s surprising is how supple and communitarian it stays.

The film is a critique of the capitalist ravages visited on Burundi and its neighbors by a technology-obsessed society. It’s also a soaring, poetic vision of a transformative future, filled with abstract scenes of singing and partying.

Mixing together anarchist politics and aesthetics to create something that feels punk and handmade.