Tout Va Bien

A little simplistic at times but acidly funny, with Godard's genius for the arresting image once more well to the fore.

One of Godard's angriest satires, but insofar as she is clearly used for her polarizing social freight, Fonda comes off today as its co-creator.

It's only a slight step back from Godard's hard-core political tracts, but the few concessions he does make--characters and a story, of sorts -- go a long way toward making the rhetoric accessible.

Accumulating in a mosaic different styles and opposing attitudes, Jean-Luc Godard ends up abandoning his viewers, and worse yet, he also bores them at times. [Full Review in Spanish]