An accomplished character piece that sustains interest in a conceit nearly as slender as its protagonist.

In a curious way is somewhat interesting.

Neither this picture nor any other I've seen during the past fortnight is good enough for a Best Bet recommendation.

Sinner or Sinned Against? Valerie is directed by Gerd Oswald and written by Leonard Heiderman and Emmett Murphy. It stars Sterling Hayden, Anita Ekberg and Anthony Steel. Music is by Albert Glasser and cinematography by Ernest Laszlo. John Garth (Hayden) is arrested and put on trial for the wounding of his wife Valerie (Ekberg) and murder of her parents. The trial hinges on three testimonies, each telling in flashback what actually unfolded to lead up to the bloodshed. But who is telling the truth? Set in the West, a murder mystery with a noirish edge, with crisp black and white photography keeping things in the ream of sombre, Valerie is a mixed bag. Yet it works as entertainment, the screenplay has some surprises in store, where it’s not afraid to paint a world of wanton desires, seedy suspicions, violent mistreatment and possible war tainted masochistic tendencies. The court case at the centre of tale throws up the sometimes fragility of the law, with some biased spice and hurtful hearsay added into the mix, and it all builds nicely to a dramatically bleak finale. Hayden delivers one for his fans, all straight backed machismo and menacing drawl, and Ekberg scores well as a scenic beauty who deftly pulls of a dual portrayal that calls for seduction or victim credibility. Steel, Ekberg’s real life beau, is a bit lightweight but doesn’t harm the drama, while there’s not m…