A village on the Georgian Black Sea is full of friendly people convinced they know each other. One day, Eliko is found hanged. His granddaughter Moe comes from Tbilisi to organize his funeral, but as she gets familiarized with the village and its residents she finds herself confronted with an intricate web of lies and evasive silences.
It’s one thing to feel like a fish out of water but it’s another thing to exist with the daily pressure of draconian state laws that don’t allow you to be yourself. This is the heart of Elene Naveriani’s Wet Sand.
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Dennis Harvey
RT48 HillsJun 28, 2022
Terse and slow, with characters that stubbornly refuse to ingratiate, this is nonetheless a powerful tale of small-mindedness ultimately transcended.
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Dulcie Pearce
RTThe Sun (UK)Jun 3, 2022
This beautifully shot and quietly contemplative study shines a light on the issue of LGBQT+ rights in her native Eastern European country, with characters and a screenplay that strike a chord.
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David Walsh
RTWorld Socialist Web SiteMay 22, 2022
The situation is no doubt painful and oppressive. Wet Sand, as far as it goes, most likely paints an accurate picture.