Wouter Dewit’s tactful piano score, Basile Belkhiri’s swift, precise pacing, and Magali Silvestre de Sacy’s lighting of the ecstatic vistas sustain a contemplative atmosphere, held together by Dujardin’s composure.

Imbert eloquently captures the human pulse of Tesson’s story via a thoughtful script (which he co-wrote with Diastème) and a beautifully introspective performance from Dujardin who is the centerpiece of every scene.

Maybe, and just maybe, for this trip we didn't need so many saddlebags.

A predictable road movie, redemption drama with sparks of truth. [Full review in Spanish]