Seidl's talent for satirical invective is neutralized by his weakness for over-the-top narrative pyrotechnics-this is more warmed-over Quentin Tarantino than Georg Grosz.
M
Michael Wilmington
RTChicago TribuneFeb 4, 2004
A remarkable, deeply disturbing work by a brilliant filmmaker.
E
Eric Harrison
RTHouston ChronicleJan 29, 2004
Oddly compelling, disturbing -- some might say disturbed -- look at suburban life, Austrian style.
M
Mark Seneviratne
RTVague VisagesMar 26, 2024
When Seidl uses music, it pumps brightness into his array of colour and people, whether they are moments of despair or joy.