Alejandro Loayza Grisi isn’t interested in story or action here, he's interested in the enormity of seemingly small lives.

If you only see one film about Bolivian llama farmers this year, make it Utama.

A gentle and superbly shot film.

Grisi’s film is cinema at its rawest, most beautiful and contemplative, even if many of its plot aspects are woefully thin and overstretched.