However one feels about the whole concept of interactive filmmaking — whether it's seen as a new frontier, or antithetical to the whole concept of telling a story — there should be general agreement that this is the wrong genre for it.

What each of these journeys unwittingly unveils is that our heroine is rarely given much opportunity for the introspection necessary for her own clarity, let alone the grace to explore who she is outside of her relationships to men.

Choose Love strains the storytelling to fit the gimmick, in a special that does its central character no favors by making her race through the trio of suitors suddenly in her life.

The script, the idea, the endings—none of it is worth sticking around for, except for the process.