Guzmán shows the estallido social is about the very process of constructing an inclusive democracy, one that recognises and redresses the patriarchal abuses the women describe.

My Imaginary Country documents a new kind of grassroots protest, one in which every participant is also a citizen journalist; in which police and army atrocities are captured by a hundred phone cameras.

It is a frozen image of a point in time; a graceful snapshot of change in motion.

Invigorating insights into a nation at a crossroads