It is the understated, matter-of-fact tone of the story that sucks us in, and the two central performances that help make this effort by Ms. Moss such a singular addition to the monster catalog.

One of the most impactful genre films in recent times, and it's accompanied by a feminist imprint that is never demonstrated to be concessive. [Full review in Spanish]

In teasing out the complex relationship between life and death in relationship to birth and “Frankenstein,” Moss presents a provocative existential quandary, and reminds us that horror stories have been women’s stories all along.

birth/rebirth feels both classical and subversive. Yes, its DNA traces back through body horror landmarks, but it’s distinctly contemporary, exploring the female experience without turning into a lecture or slogan