All the Colours of the World Are Between Black and White

A tenderly brimming love story...

Being a Nigerian production, save for its context, many of the characteristics and conflicts are perceived as universal. [Full review in Spanish]

This is a beautiful reminder of the bravery that can be required just to be who you are, and how important it is to support that bravery wherever it is found.

Despite the considerable social progress that the LGBTQ+ community has made in recent years, there are still some places around the world where the act of coming out is questionable and deeply troubling. In some cases, such a step raises serious issues about social acceptance, as well as self-preservation and legal ramifications. It may even prompt some individuals to doubt their genuine intuitive impulses about their natural inclinations just to be able to fit in. Such is the case in Nigeria, as depicted in the debut feature from writer-director Babatunde Apalowo, a Nigerian-born filmmaker based in the UK. In his first feature release, Apalowo tells the story of Bambino (Tope Tedela), a motorcycle deliveryman who meets and befriends Bawa (Riyo David), an aspiring photographer with whom he starts spending considerable time, a connection that carries implications greater than just friendship. However, given the country’s social taboos and illegality considerations, as well as sustained pressure from Efeyinwa (Martha Ehinome Orhiere), a neighbor who wants to become Bambino’s wife, the budding relationship between the two men remains at arm’s length. Bambino has doubts about his own sexuality, while Bawa believes that he and his new companion are destined for something deeper and more meaningful. But will that happen? The film probes this question as the two men tenuously circle o…