FLOAT!

Float rises higher than expectations due in part to the delicate cinematography by Alfonso Chin, and by the additions in LaVercombe and Lee's script.

I didn't think they had a whole lot of chemistry, which is a problem for a movie like this.

Unless filmmakers are willing — or able — to craft something new in this genre, or at worst, to convey a fresh sensation from something familiar, perhaps it's best not to try altogether.

While it initially starts in a relatable sense to the audience, it loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.