Unfortunately, the script by Ortega, his El Angel cowriter Rodolfo Palacios, and Fabian Casas cannot equal what Salminen and Biscayart do wordlessly.

Biscayart’s kaleidoscopic performance is something exciting to behold, as is Ortega’s vision of the film and this character.

Kill the Jockey” devolves into gangster mayhem, the whole story starts to feel unconsidered, almost perfunctory.

This movie rules- super-stylish and a lot of fun.