Baltimore is not really a biopic. You could call it a ‘character-driven heist movie’, a moody triptych that leaps freely between timelines.

... An impressionistic and sometimes dreamlike account of someone finding meaning in a hopeless world while remaining blind to its enormous human cost.

A fascinating psychological study of fanaticism, with Poots’s expressive performance unpeeling the layers beneath Dugdale’s fervent belief in her cause.

While the direction overuses slow motion...which contribute nothing to the narrative, the script, however, offers nuances thanks to a fragmented structure that allows it to address different time periods...[Full review in Spanish]