Although Behind the Candelabra may be Soderbergh's swan song, it's an uncanny resurrection of the creature that was Liberace.

Yes. It is fabulous. No other word for it, unless that word is "glorious."

Douglas brings a preening, nervous energy to a performance that may well prove to be the best of his career...

Soderbergh seems most intent on normalizing homosexuality itself, and he does that by zooming straight out to the furthest reaches of stereotype and straining for the banal amongst the golden slippers and snarling houseboys