Kandhari has a sharp eye for absurdity.

If you want to see a talented director putting together pieces of a vision — however unclear — and an actress with the courage to leap with him into the unknown, “Sister Midnight” is worth your time.

One of those films that deserves to be seen without knowing much about it, because of its unhinged and eventually violent twists, but always supported by a surprisingly colorful aesthetic. [Full review in Spanish

Karan Kandhari’s sophomore feature is an incorrigibly funny, and audaciously told genre bender that boasts—for lack of a better term—a certain singular je ne sais quoi.