The movie’s bitterest irony is that, of the two men, it’s ultimately Dee who may be more honorable.

It's a genre piece with tragic weight.

Through the jangly use of cellphone cameras capturing violence on the cellblock and a winnowed down running time, “Wasteman” doesn’t waste one second of a film time. It certainly has a surplus of talent in front of and behind the camera.

Cal McMau makes his debut with a feverish exercise in prison cinema that is as ruthless as it is starkly human. [Full review in Spanish]