Another Dupieux film that may divide audiences. Fans of his style may find moments to appreciate. But for others, the film's lack of sharp commentary and hit-or-miss humor may leave them wanting more.

Now a three-time star for Dupieux after Mandibles and Smoking Causes Coughing, Exarchopoulos keeps having a ball tapping into the director’s wavelength.

A sharp, abrasive satire of viral fame, elevated by Adèle Exarchopoulos’ deliberately ugly performance. Dupieux provokes and entertains, but the film’s punch fades quickly, leaving more sting than substance.

Sagginess is present, but laughs remain, and Dupieux reaffirms his love of dark personalities experiencing self-made torment, still providing the offering with a few kicks before it concludes.