Out of this frayed material a little comedy is coaxed by the familiar cast as they grapple with the random situations that pass for a plot.

The first milestone Carry On movie. A flu epidemic has reduced the local police station down to a skeleton crew. Hope arrives in the form of four recruits - - that's no hope mind you... Carry On Constable introduced the wonderful Sid James to the series, he would become one of the most beloved actors to Carry On film fans. Ironically "Constable" finds James somewhat removed from the type of character he would become known for, it's a restrained role and showcases his acting abilities as an official figure type, the glue binding the whole play together. The fourth film in the Carry On series retains the more genteel comedy factors that had imbued the previous three outings, though this would be the first to show nudity! Four policemen's bums gleaming bright! A scene that provides a splendid anecdote in Kenneth Williams brilliant book, Just Williams (I urge anyone interested in classic film/TV/radio/stage to check it out). Plot basically pitches the four recruits, Williams, Leslie Phillips, Charles Hawtrey and Kenneth Connor (brilliant as usual as a superstitious sort) into a number of chaotic physical situations mined for laughs. Back at the station Sgt. Frank Wilkins (James) is pulling his hair out at the ineptitude of his new charges - and that of his ignoramus boss, Inspector Mills (Eric Barker). Joan Sims is on hand to steam the collar of Kenny Connor, just as Phillips l…

Eric Barker ("Insp. Mills") is struggling to keep crime under control with three of his experienced officers down with the flu. Luckily, his streetwise sergeant "Wilkins" (Sid James) thinks he knows how to best manage the group of new recruits sent out to fill in the gaps. Big mistake, though, putting "Gorse" (Charles Hawtrey) in charge of the ops room - as if chaos wasn't already in the air anyway. I always thought these films worked best with James/Sims & Williams/Jacques doing their well established stuff - and for the most part here, that's what they do. Aside, though, I found Leslie Phillips and Kenneth Connor a bit too one-dimensional with their humour erring more on the side of charmless smut. Still, it's quickly paced, the writing is at the better end for the franchise and there are plenty of daft scenarios and double-entendres as it takes a kindly and gentle swipe at a police constabulary that has as many nutcases within as it has to deal with on the outside.

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