Knightriders is about 50 percent scenes of kick-ass moto-jousting, 40 percent philosophizing around the campfire, and 10 percent lyrical shots of King William

Harris embodies his character with such conviction that the character's struggle to retain the integrity of his dream ultimately exudes a modest poignancy.

Romero makes a grand personal statement here that seems semi-autobiographical, about leadership, about failure, about having a cause and being willing to die for it. In terms of films about the Arthur myth, it's one of the best...

... easily the gentlest film ever made by George Romero, a romantic story of gypsy bikers who create a kind of traveling Renaissance faire built around the chivalric ideal of an Arthurian court.