notably more violent and cynical than Norris’s previous films, even though he plays the same type of taciturn, reluctant hero whose integrity is never—ever—in question

The Octagon had a chance to emerge as Norris' best vehicle; instead, too many flaws place it in the close-but-no-cigar category.

It's ambitious work but not always successful, with director Eric Karson biting off a little more than he can chew when it comes time to build momentum with such a top-heavy film.

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