What ties all this material together is the force and humor of Moretti's eclectic personality.

In the film, the matter of cinema is the process of creativity, arduous and unrealized, as it ebbs and flows.

This light-toned but thematically substantial autofiction is organized like a sequence of diary entries brought to life with Moretti's wryly confessional voice-overs.

The two first segments house some charming interludes amidst the meandering framework but the final segment largely falls flat despite being the most weighty section.