Carries some interest on the novelty angles, if nothing else, but on the whole is generally tepid.

I Married A Witch is spiritualism in a vein of knockabout farce. It is more oh-boy than occult. But its humor is Clair enough.

Lake is delightfully effective as the malicious woman, whose ideas of punishment are often beautifully absurd, and March provides an excellent foil.

"I Married A Witch" is a high concept movie, especially for 1942. The picture carries a Frenchness in its lighthearted attitudes regarding relations between men and the women who enchant them.