I found the movie deadly: a hazy poetic illustration of emotional chaos -- which was made peculiarly attractive. If I’ve got to be driven up a wall, I'd rather do it at my own pace -- which is considerably faster than Antonioni’s.

Michelangelo Antonioni's first film in color, from 1964, is his most mysterious and awe-inspiring work.

Antonioni's sense of design and how the environment inevitably influences his characters is masterly.

Monica Vitti renders a stupendous interpretation of a misunderstood and delirious wife lost in a social environment... [Full review in Spanish]