Beautiful and challenging, Bokeh has a pristine look and chilling feel of its own that contributes enormously to the mood and tone of the whole film.

Only worthwhile storytellers could take an elevator pitch like this one (the last two people on Earth) and produce long-lasting curiosity about its inherent beauty and horror.

We're stuck for eternity with two perfectly decent people who, it seems, just aren't very interesting company. Not even for each other.

What an end-of-the-world movie made by Richard Linklater would probably look like.