Shaughnessy adeptly adjusts his film's tone as the action switches from the bestrewn Beaconsfield studio sets to the darkened streets of London's East End.

The little, low-budget opus belatedly attempts to cash in on Cat People but it has little of the subtlety and none of the style of the 1942 Val Lewton production.

A more-than-acceptable variation of Jacques Tourneur's Cat People (42) that is excellent in spots, but lags in its overall pacing.

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