Abysmal, of course, but, let’s admit it, not boring for a second.

Anthony Quinn does as well as possible in the "hero'' role, but the plot is fantastically involved and the odd camera angles are often more arty than Pollui.

Tedious and pointless film.

The Lyncastle Lasso. The Long Wait is directed by Victor Saville and adapted to screenplay by Alan Green and Lesser Samuels from the Mickey Spillane novel. It stars Anthony Quinn, Charles Coburn, Gene Evans, Peggie Castle, Mary Ellen Kay and Shirley Patterson. Music is by Mario Castelnuovo- Tedesco and cinematography by Franz Planer. Johnny McBride (Quinn) is a amnesiac who manages to get back to his home town of Lyncastle where he hopes to unravel who he is. But pretty soon he finds himself in a quagmire of trouble and strife... Every once in a while I come across an instance like this, where a film noir picture's reviews back upon its release were savage, and yet today the more modern noir lover is mostly positive about the pic. In fact IMDb's rating sits currently at 7.2, which as the site's users will attest to, is pretty good going. So where we at with this Spillane revamp? The complaints back in the day about it being dull and boring smack to me of writers back then not exactly understanding the noir ethos, though it's noted that there is the odd modern reviewer sharing the same complaint. It's a film very much erring on the side of bleak and moody, dabbling in the complexities of the human condition, and it's done very well, though the screenplay is hardly minus plot holes and is full of incredulous set-ups. We also have to buy into Quinn being catnip to the dames,…