This is another in the series of intelligent, talkative pictures of which La Davis has become the patron saint.

For Mary Astor this movie has been a real resurrection, as an artist, an elegant woman, as well as a notable pianist. [Full review in Spanish]

Predictable to a fault, even Bette Davis can't save this film.

This Edmund Goulding-Bette Davis soap opera has achieved notoriety for several reasons, a presposterous plot, Mary Astor's one and only Oscar, and catfights on the set between the two ladies!