The scandalous pinnacle of [Miike's] extreme cinema canon.

If Herschell Gordon Lewis had adapted Eugene O'Neill, the result still wouldn't out-thicken the muck of Miike's anti-achievement.

In Visitor Q, the title character is presented as less of a sexual figure, and a more as a kind of lodestar, someone around whom the dysfunctional can gravitate, in order for them to find something approaching peace.

a grotesque study of the human psyche, by a filmmaker who has transformed the rape of our aesthetics into his means of expression.