All in all, the effect is like Guy Ritchie has remade Michael Haneke's Funny Games after huffing old copies of the Socialist Worker.

The script's hyperactivity distracts enough from the fact that its musings on class conflict are underdeveloped at best.

The gimmicky structure and style is more distracting than effective, and it mostly fails to compensate for an underdeveloped plot.

Joe Martin is clearly a filmmaker to watch who might have worn his influences on his sleeve in this film, but he has proven he is a stylish filmmaker with a lot to say.