A small-town journalist in southern Chile realizes he just run out of good news so that he starts making gossips and fake stories in order to keep his job in the local newspaper he works for.
Schwartz's first-person narrative proves moving. But given that the film is barely an hour long, one can't help but feel that parts could have been developed more ...
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Ben Kenigsberg
RTNew York TimesNov 24, 2014
The film is a searing portrait of collective denial - a diagnosis from which Ms. Schwartz doesn't exempt herself.
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Ben Sachs
RTChicago ReaderAug 14, 2014
That story is interesting enough, though Schwartz uses it mainly as a pretext for navel-gazing.
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John Beifuss
RTCommercial Appeal (Memphis, TN)Mar 23, 2015
Fascinating so long as it focuses on Schwartz's history and the thorny issues of racial identity that accompany it.