Paolo [Sorrentino]'s films are full of beauty and decadence... In this particular instance, the decadence owes to this actual man who was actually decadent.

This sometimes beguiling but more often strangely engineered movie continues, stretching its increasingly muddy soup of gleaming nastiness and gaudy power plays until even the central portrait of the man himself is more cartoonish than corrosive.

For all of Sorrentino's prodigious gifts as a scenarist, "Loro" is a disturbing movie, for all the wrong reasons and, despite its self-consciously arty pretensions, a breathtakingly callow one.

Paolo Sorrentino gives a new master class on how to use the cinematographic medium as a tool to protest and criticize... [Full review in Spanish]