The Sky is Everywhere is most likely to enchant its Gen-Z target audience with its wildly romantic story set to a tinkling score, but its tenderness and authenticity can have a broader appeal.

No director conveys too-muchness like Decker, and on top of that “The Sky Is Everywhere” is very lucky to have Kaufman in the lead.

[The Sky is Everywhere] embraces excess as an expression of the heroine’s mercurial spirit. Sometimes the results are excessively excessive, blithely blissed-out or simply clichéd. Mostly, though, they’re funny, affecting and endearing.

[Josephine Decker's] bold film grammar is innovative, in part, because Christian-Buddhism has never been taken seriously by a visual artist before.