One of my all time favorites. It still contains some of the drama and suspense of the first but with far more action leading to what I find a far more appealing storyline. As with Cameron's movies he makes you feel for the core characters from the start rather than just a bunch of 'bad ass' marines (Although they are). The progression of Ripley was really defined by this movie the 'brave but scared' Ripley of Alien is gone and a more determined, meaner Ripley emerges with elements of the older nurturing character kept in check with a young girl called Newt. It definitely stands out miles compared to all the other 80's alien-type movies of that decade.

"Ripley and the Soldiers" can be found in two versions: the short version that cuts from Midway station directly to the Weyland-Yutani hearing, and the "director's cut" which cuts to a waiting room with a wall size "scenery channel" display. When I first saw the short version, I wondered how Ripley was able to make an immediate connection with Newt. "Sister solidarity" sounded bogus, and the "director's cut" cleared up that mystery. The more interesting "director's cut" reveals Newt's family on LV-426, a long discussion on what the surviving Marines are facing, and an action sequence featuring the deadly Sentry units. As Ripley suggested, I.Q.s did drop sharply among the Weyland-Yutani brass, with Carter Burke sending a deadly directive to "Hadley's Hope." In short: Ripley is living the blue collar life by day and experiencing a recurrent "Alien birth" nightmare at night. Carter Burke and Colonial Marine Lt. Gorman visit her, saying contact has been lost with LV-426. Signing a devil's deal with Weyland-Yutani, Ripley boards the "Sulaco" with a "company" of Colonial Marines. To her horror, an android, "Bishop" is part of the crew, recalling the murderous "Nostromo" science officer, Ash. The trash-talking Colonial Marines give Ripley's tale short shrift, as they prepare for the "Bug Hunt." The armed-to-the-teeth party finds no colonists, but evidence of a battle to the death.…

**The Disney film of the franchise** A basic shoot 'em up that comes complete with soldiers greasing up and watching each others muscles and also added an annoying kid straight out of Oliver Twist. Cameron took everything Ridley Scott slowly built up and tossed it in the trash can to make a cheap shot Stallone/ Schwarzenegger style action fiasco. People who like this one tend to not be fans of horror movies as they complain about the _dark nature_ of the horror film Alien 3 - LOL - and this is precisely the reason Aliens fails as part of the horror franchise that is Alien. - Charles Dance

My mommy always said there were no monsters - no real ones - but there are. Ripley has been found in deep space by a salvage ship and brought back to a space station to be awoken from her 57 year sleep. Here she is mortified to find that the planet on which herself and her now deceased Nostromo crew found the Alien, LV-426, has been colonised by Weyland-Yutani Company. Suffice to say that when The Company representative, Burke, tells her that all contact is lost, she's not in the least bit surprised. Unable to get anyone to believe her about what happened to the Nostromo crew, Ripley is cajoled into going back to LV-426 with a crack team of space marines to seek, destroy or rescue... How do you make a sequel to one of the finest, most loved modern era films ever? This was something that director James Cameron must have pondered on many a dark night once he had agreed to make Aliens. The answer was to rightly not copy the format so brilliantly laid down by Ridley Scott and his team for Alien, but to embrace its mood and enhance it with thrills spills and exhilaration. This was only Cameron's third feature length movie, and here he was working with the crew who had made Scott's movie so special. Also writing as well as directing, this could have gone very wrong indeed, but Cameron rose to the challenge admirably and set up his marker on how his film would succeed. Keep the prem…