Bison

Several aspects of Bison will urge you to keep rewatching the film, but if there’s one that kept surprising me, it was its editing.

Mari Selvaraj tries to take his film where the audience is. He wants to show people a side of life in India that moviegoers don’t usually see in flashy cinema. So he presents it in a visual language most people understand.

Mari Selvaraj blends two dimensions of his film - sport and life as reflections of each other - and brings them alive in fascinating unison.

It’s not every Friday that multiple genres blend this seamlessly, and Bison fuses elements of a sports drama, a biopic, a social actioner, and a gangster saga into a singular experience.