Kick-ass action all around and although the story is on the basic side and has minimal character development for Rambo himself, just a bloody, albeit too much of it CGI'd, entertaining especially an action-fest finale. Amazing, especially being the fourth entry into the series.

_**Intense with more depth than you might think**_ John Rambo (Sylvester Stallone) is alone, bitter and living hand-to-mouth in Thailand when a group of Christian missionaries enlist him to take them into Burma (aka Myanmar) to aid a village. Rambo discourages them in light of the political instability, which includes persecutions and mass slayings, but they insist. Weeks later he learns that the missionaries are missing so he goes back with a group of mercenaries. "Rambo" (2008) is the fourth installment in the franchise after "First Blood" (1982), "Rambo: First Blood Part II" (1985) and "Rambo III" (1988). I'm a huge fan of the first one, which I think is an action/adventure masterpiece, but the next two films are too comic-booky and the characters are cardboard, although Stallone never looked better and the locations are fabulous. This third sequel makes up for that because it's not comic booky at all and there's quite a bit of depth, albeit not much in dialogue form. It combines elements of "Apocalypse Now," "The Killing Fields" & the first two Rambo films and is grim & intense from beginning to end, not to mention it's one of the most violent films ever made. The picture powerfully illustrates the best and worst in humanity. The Christian missionaries are willing to risk everything to help the villagers, whereas the Myanmar militarists revel in slaughtering scores of u…

Sylvester Stallone is in his element as the eponymous Vietnam veteran who has retreated to a rural community where he acts as a tourist guide for visitors on his ramshackle old PT boat. When he is approached by some human rights folks who want to charter his boat to seek out some missing Christian Aid missionaries up-river in strife-ridden Burma, he eventually acquiesces and they are soon in a world of pain at the hands of the brutally sadistic "Maj. Tint" (Muang Muang Khin). It's an end-to-end action movie, pyrotechnics galore with some seriously graphic - thereby authentic - scenes of violence that have their roots in a plausible storyline based on well documented abuses from South East Asia in the 1970s. The dialogue is a bit gung-ho, but this is about characterisations and Stallone, Graham McTavish ("Lewis") and Julie Benz ("Sarah") help create a suspenseful drama that is light on message and heavy on delivery...

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