Afterschool

At its best this film is brave, cool and brimful of ideas, and if they're barely contained within the slightly flimsy story, that's down to Campos' decision to give himself the safety net of a well-worn genre.

It's both a supremely controlled exercise in form and tone and an intriguing exploration of the ways new technology intersects with age-old questions of dominance, control and individuality, particularly in the school setting.

Anthony Campos (who was 24 when he made this jolting pic) captures the numbing psychic scramble that just might cause the YouTube generation to go morally haywire. Or become filmmakers.

Antonio Campos' Afterschool plays like the creepy younger brother of Kenneth Lonergan's Margaret.