The landscape has a certain gaunt beauty and so does Dickey’s performance.

[Walker-Silverman] lets his film play out, as naturally as the performances of his leads, who never seem to be acting. Instead they are exploring, whether it’s their surroundings or each other.

This is a film of grace and beauty, and deserves to give [Dale] Dickey awards recognition.

A microcosm of a whole final stretch of one’s life ... It’s rare that I see a film wield this level of minimalism this remarkably well, making so much out of so little.