But however quietly they express these revelations, the enormity of [the central trio's] feelings is what propels the film, underlined by Brian McOmber’s brooding score and the aching intensity of a Puccini aria on the soundtrack.

Rather than leaning on caricatures or stereotypes, the film gives each person’s perspective a respectful hearing. The added element of Wang’s subterfuge is what keeps it all fresh.

It’s about the mysteries of the human heart. Its exploration of these subtle depths is sensitive, as are its conclusions.

If you come here expecting a Dynasty-style cat fight, you’ll be sorely disappointed. If, instead, you’re up for a quietly complex reckoning with messy emotions and the occasionally smothering nature of relationships, you’ll be suitably rewarded.