The results prove middling at best, not on any level dealing the knockout blow that religious conversion practice deserves; nor is it ever the campy scream the set-up might have licensed.

It is every bit as chilling as the original The Exorcist.

It is certainly appreciated that, instead of plunging all its night scenes into impenetrable darkness, Phillips has had the good sense to adequately illuminate what he shows us, as if he had nothing to hide. [Full review in Spanish]

Worth a rental for something a little different in terms of its ideas and the gorier set pieces, but despite the ingredients being present the finished product feels remarkably undercooked.