This isn't as hateful as, say, The Other Woman. The concept's a little higher and the humiliation more cosmic.

The dire new comedy Walk Of Shame offers itself as a gender-reversed After Hours[...] It's a clever conceit,[...] If only it weren't so desperately unfunny.

An unintended nightmare scenario for women in Hollywood, and the persistent humiliation required just to get noticed.

Brill phenomenally wastes the proven comedic chops of Banks, Gillian Jacobs (“Community,” 2009-present), and Sarah Wright (“Celeste and Jesse Forever,” 2012) toward jokes without timing, a punchline, or even chuckle-worthy insight.