Tetsuo and Fetishist's transformation into Iron Man becomes a response to the machinization of the individual in a systematically regimented Japan.

This is not a movie that anyone I know will enjoy because it’s enjoyable. It’s good because it’s important, it’s good because of what it allowed to come after it.

Shinya Tsukamoto's wildly inventive experimental body horror film still astonishes more than 30 years later.

A confronting metal soundtrack accompanies this bizarre and compelling nearly dialogue-free odyssey about two men who go from enemies to lovers. The black and white visuals are sumptuous.