If I just look at the four corners of this documentary, I think it's really well-done. I think it's quite compelling in a lot of places. And it offers moments of genuine insight.

This is a dense picture—there’s almost too much to unpack, if you can be bothered to care about any of it.

A three-hour cinema landmark from prickly Nathan Fielder that follows fraudster Elizabeth Holmes to jail and makes a winning case for being the first doc ever to get into the Oscar race for best picture.

The fascinating thing about You Can See Everything is its ambiguity—the way it can be perceived differently by everyone who watches it.