Gerwig and Baumbach fashion an interesting bunch of edgy characters that are in a state of constant formation, with a defined core to them.

I realize that watching a 20-something hipster have a quarter life meltdown for two hours might be entertaining for some, but I still cannot get into it.

This is [Noah] Baumbach on a new level, thanks to [Greta] Gerwig-bless this woman-who keeps her comedic charm throughout even the strangest territories.

The second resulting love child of Baumbach and Gerwig is unlike most; an uneven, playful, totally daffy farce completely worthy of its lofty asking price.